EJOTMAS: Ekpoma Journal of Theatre and Media Arts

Trauma (re-)imag(in)ed: Experiences and memories of Wole Soyinka

Editorial Note

A Study of Two Directorial Approaches to J. P. Clarkbekederemo’s Song of a Goat

Documentary: A Creative Treatment of Actuality

Memory Archive through the Substance of Yoruba Musical Culture

Theories of Management: Towards an Effective Theatre (Business) Management

Avenues for the Development of Musical Abilities in Africa

The Language Idiom of Modern Play Production in Nigeria: A Critique

Linguistic Gaffes in the Nigerian Media Newscast: An Exploratory Discourse

The Role of Advertising, Publicity and Public Relations in Theatre Management in Nigeria

Igoru Music and Issues of Leadership in Okpe

An Examination of the Characteristics of Esan Traditional Music of Edo State, Nigeria

The Semiotics of Laughter In Two Nigerian Apolitical Movie-Comedies

The Origin of Concert Music in Nigeria, 1850 - 1920

Designing the Set in Nigerian Home Video Films: A Study of Amazing Grace

Nkwa music of Achina traditional society in Igbo culture

Contrapuntal Significations in Wole Soyinka's Death and the King's Horseman

Politics of Language in Kunle Afolayan's The Figurine (Araromire)

Reflecting Marxist Epistemology and the Irreligiousness of Resource Control in Gbilekaa's Bishop Bassey

Hope Eghagha and the New Counter-Discourse in Death, Not a Redeemer

From Traditional Institutions to Community Based Influencers: The Dynamics of Communicating Development in Rural Communities

Deconstruction in Performance for Audience Aesthetic Preference: An Experiment with Tyrone Terrence's “A Husband's Wife”

Ensemble Organization of the Band of Fela Anikulapo-Kuti

Folkism and Modern Nigerian Theatre: A Study of Sam Ukala's Iredi War

Challenges of Teaching Practice-Based Dance Art in Nigeria: The Department of Theatre and Media Arts, FUOYE Model

Mock Hunting, Music and Visual Art Forms in Ade u: A Northern Ewe Hunters' Dance-Drumming Ritual in Ghana

Learning for Transformation: Empowering the Nigerian Child through Drama

Prevalence of Ritual Images in Yoruba Nollywood Films and the Perception of Contemporary Society

Agency and Vulnerability: Reconfiguring the Female Characters in Chimamanda Adichie's Love Stories

Interrogating Nollywood and its Sources of Funding: The Case of Invasion 1897

Using Drama to Promote Sustainable Health among Rural Folk in Benue State: Ikyaan and Amua Workshops

Technical Theatre Practice in Nigerian University Theatres

An Overview of Somatics (Body-Mind) Approaches in Dance Therapy

Pornography and Debasement of Womanhood in African Films: The Examples of Selected Nollywood and Ghallywood Videos

An Examination of the Festival Motif in Femi Osofisan's Morountodun

The Language of Satire in Nigerian Politics: A Study of the Syntactic Parameters in Wale Okediran's Tenants of the House

Women in Leadership and Musical Authority in the Celestial Church of Christ

Development, Underdevelopment and Poverty: A Linguistic Study of Joseph Edoki's The African Dream

Costumes in Igogo Masquerade Theatre of the Ekiti People

The Dynamics of Directing for the Stage and the Screen

Re-inventing Multimedia Drama to Unite Africans in the Diaspora: The Example of Ola Rotimi's The Gods are not to Blame in London

Imo Edward's Adaptation of The Great Ponds by Elechi Amadi in Performance: A Review

Directorial style and stylization:‘The photographic synthesis’ in Felix Okolo’s dramaturgy on the Nigerian theatre stage

Metricism in Yorùbá wórò rhythm

Dancing out a nation’s state of pity and amusement: Kelani’s retelling of Ogunde’s Yoruba Ronu

Vicissitudes of Edo State Council for Arts and Culture Performing Troupe (1996-2016)

A survey of students’ performance on the piano: a case study of the Department of Music, University of Port Harcourt

Adapting the Kwagh-hir puppetry theatre to create kinetic paintings

Amojo Amen-Niyeye: a study in Esan minstrels

Training the theatre arts teacher in Nigerian colleges of education: problems and prospects